Remote Profile: Arestia Rosenberg — Remote Year

I applied to Remote Year because I was attracted to the intersection of global-mindness and community and was curious; but, I never thought I would get in! When I did, I labored a lot over the decision. On one hand, I had a great career I worked hard for, but on the other hand, an opportunity for adventure, reflection, and to meet a group of amazing, likeminded people. It wasn’t an easy choice, but ultimately, I decided it was something I couldn’t say no to and had to find a way to make it work. 

WHAT ARE YOU WORKING ON FOR THE YEAR?

Before coming on Remote Year, I was the Creative Director of Brand Strategy at The Daily Beast. When I decided to go on Remote Year, my company ultimately decided part of my job could not be done remotely; but, I’m still working on the same team and retain some of my previous duties. I’ve also moved to a part-time role, so I’ve taken on other clients in the form of content strategy & management and writing…and we’ll see what else comes my way this year! I’d love to be able to make a film this year.

HOW DID YOU FIND YOURSELF A REMOTE ROLE?

I knew I had the kinds of skills that could lend itself to Remote Work, but it took months of hustling: letting people know I was available for remote work, the kinds of skills I had, the benefits to having an international creator on the ground, writing countless pitch decks and proposals. Through working my network, I’m currently able to balance enough clients to make remote work a possibility!